Script supervisor:
The person in charge of knowing
Perfect recall, personified, should spend as little time as possible worrying about reports, and as much as possible helping the creative process. Script Supervisors who have worked with Drylab’s Set Report and Viewer always come back, because we help them with important tasks — without creating new problems.
NO more OVERTIME (or at least a lot less)
The Script Supervisor is responsible for planning and keeping continuity; reporting details, anomalies and exceptions; and estimating the lengts of production and the final results. And most importantly: to stay close to and assist the Director’s on-set decisions. We have therefore:
Digitised only the most important and helpful stuff
Included a smart stop watch to help timing and enrich dailies
Automated file naming, day, shot and take increments etc.
Introduced tags on shot, take and camera level to speed up reporting
Made a power efficient app to ensure battery life even when working in freezing temperatures
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I have never had such easy and well-functioning access to rushes on previous productions. I would bring the iPad to set everyday and use it as a tool for continuity and light reference. The layout is so simple and logial, and made me use rushes every day, more actively than ever before
Manuel Alberto Claro
Cinematographer, Melancholia, The Pact, Hope
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It takes me just seconds to find references I need for costume, make up or dialogue. So even though I prefer to line my scripts like I always have, I will never go back to paper reports
Aslaug Konradsdottir
Script Supervisor, The Hurt Locker
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Extremely quick and easy to find exactly what I am looking for. I am convinced this tool makes a film better, and it has certainly saved me a lot of time
Gareth Ellis Unwin
Producer, The Kings Speech
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The Lab techs only need to keep a single library up to date, which makes it very easy to manage for a single technician. This appeals to a wide range of production budgets!
Julian Lawrence
DIT, Pirates of the Caribbean/Aquaman
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We saved two editing assistants during shooting, and 5 man months. We logged 7 shooting days in just one day, compared to 3 without Drylab
Marcus B. Brodersen
Post Producer, The Heavy Water War
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Ten minutes after I had recorded a scene, it was available to me on my iPad in a clear and attractive presentation. I have never felt closer to my material before. I know I will always use it from now on
Ole Christian Madsen
Director, Flame & Citron
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We produce 25 high profile titles per year. Efficency and quality, combined with creative control and perfect flow are vital requirements for us. And we are very content with the partnership we have developed with Drylab
Peter Bengtsson
Executive Post Producer, Filmlance Int.

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Read more about our Set Report 3 here or on App Store. You can also download Viewer for free to check it out, or just open an account and start using our services immediately!

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