Director: Head of creative
It’s up to the Director to set the creative ambition, and in the end it is also the Director who’s responsible of holding everything to that standard. Every day. Through prep, shooting and post production. We have therefore focused the Drylab Viewer on creative control.
BETTER CREATIVE CONTROL — AND ONLY THAT
Nothing complicated to learn and to use. No menus to navigate. No interruptions from crew or executives bringing their opinions into your focused, creative work. Just what you have filmed, intutively and neatly laid out — immediately and easily available
Check continuity scenes and prepare for next day’s shooting
Revise continuity and axes after a shoot
Pick and circle takes for the Editor
Find alternative takes during editing
Revisit shots for VFX and tags
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I have never had such easy and well-functioning access to rushes on previous productions. I would bring the iPad to set everyday and use it as a tool for continuity and light reference. The layout is so simple and logial, and made me use rushes every day, more actively than ever before
Manuel Alberto Claro
Cinematographer, Melancholia, The Pact, Hope
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It takes me just seconds to find references I need for costume, make up or dialogue. So even though I prefer to line my scripts like I always have, I will never go back to paper reports
Aslaug Konradsdottir
Script Supervisor, The Hurt Locker
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Extremely quick and easy to find exactly what I am looking for. I am convinced this tool makes a film better, and it has certainly saved me a lot of time
Gareth Ellis Unwin
Producer, The Kings Speech
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The Lab techs only need to keep a single library up to date, which makes it very easy to manage for a single technician. This appeals to a wide range of production budgets!
Julian Lawrence
DIT, Pirates of the Caribbean/Aquaman
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We saved two editing assistants during shooting, and 5 man months. We logged 7 shooting days in just one day, compared to 3 without Drylab
Marcus B. Brodersen
Post Producer, The Heavy Water War
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Ten minutes after I had recorded a scene, it was available to me on my iPad in a clear and attractive presentation. I have never felt closer to my material before. I know I will always use it from now on
Ole Christian Madsen
Director, Flame & Citron
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We produce 25 high profile titles per year. Efficency and quality, combined with creative control and perfect flow are vital requirements for us. And we are very content with the partnership we have developed with Drylab
Peter Bengtsson
Executive Post Producer, Filmlance Int.

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Read more about our Set Report 3 here or on App Store. You can also download Viewer for free to check it out, or just open an account and start using our services immediately!

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